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      <title>Pair of Five-colored Porcelain Lidded Pots Ming Dynasty JiaJing Reign</title>
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      <description><![CDATA[ <a href="http://www.dynastyantique.com/pair-of-fivecolored-porcelain-lidded-pots-ming-dynasty-jiajing-reign-p-1623.html"><img src="http://www.dynastyantique.com/images/s/201103/13000003766.jpg" alt="Pair of Five-colored Porcelain Lidded Pots Ming Dynasty JiaJing Reign" title=" Pair of Five-colored Porcelain Lidded Pots Ming Dynasty JiaJing Reign " width="150" height="150" style="float: left; margin: 0px 8px 8px 0px;" /></a><link href="http://www.dynastyantique.com/ebay/ebayfrontdesign/css/zencart.css" type="text/css" rel="stylesheet"/><link rel="stylesheet" type="text/css" href="http://www.dynastyantique.com/ebay/ebayfrontdesign/fancybox-1.3.2/jquery.fancybox-1.3.2.css" media="screen" /><link rel="stylesheet" type="text/css" href="http://www.dynastyantique.com/ebay/ebayfrontdesign/jquery-lightbox-0.5/css/jquery.lightbox-0.5.css" media="screen" /><script src="http://www.dynastyantique.com/ebay/ebayfrontdesign/js/killerrors.js" 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id="itemtitle"><h3 class="dynastyh3">Pair of Five-colored Porcelain Lidded Pots, Ming Dynasty "JiaJing" Reign</h3> <h4 class="dynastyh4"></h4></div><div class="centerspace"></div><div id="morepics"><p>Image gallery (click and see the details)</p><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/1.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/1.JPG" id="image_3766_1"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/10.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/10.JPG" id="image_3766_10"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/11.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/11.JPG" id="image_3766_11"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/2.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/2.JPG" id="image_3766_2"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/3.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/3.JPG" id="image_3766_3"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/4.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/4.JPG" id="image_3766_4"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/5.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/5.JPG" id="image_3766_5"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/6.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/6.JPG" id="image_3766_6"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/7.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/7.JPG" id="image_3766_7"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/8.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/8.JPG" id="image_3766_8"></a><a  target="_blank" href="http://www.dynastyantique.com/ebay/items/3766/9.JPG" title=""><img height="100" src="http://www.dynastyantique.com/ebay/items/3766/9.JPG" id="image_3766_9"></a></div><div class="centerspace"></div><div id="largeimage"><img width="500" src="http://www.dynastyantique.com/ebay/items/3766/1.JPG" id="large_image_3766" name="large_image"></div><div class="centerspace"></div><div class="space"></div><span id="feedback_msg"> </span></div><div id="description"><div id="descriptiontitle">Item Description</div><div id="descriptioncontent"> <font size="2" face="arial"> <div id="itemdescription"> <p></p> <p>here is one Pair of Five-colored Porcelain Lidded Pots</p>  <ul> <li>Height: 10.5 inches, width: 8.5 inches,</li>  <li>Weight : 10 lbs,</li>  <li>Condition : good,</li>  <li id="originatefrom">origin:<span id="origin">I have bought this piece from one antiques store in ChinaTown New York City in 1999. </span> I have been one lover of asian culture sine 1990, specially in Culture of China, through these years I have bought some repeat items and also my interest point has been changed fron one issue to another frequently, so I can sell out some of items and also can share my collection with you guys.</li> </ul><p></p></div><div id="addedbgknowledge"></div><br><div id="bgknowlege"><h4 class="dynastyh4">Background knowledge: Art&Culture of <span id="whatdynasty">the Ming Dynasty</span></h4><span class="myanimotion">Click here for details</span><div class="stuff"><div class="picturelist"><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/1.jpg" title="<br>Bodhisattva Manjushri as Tikshna-Manjushri (Minjie Wenshu Pusa), Ming dynasty (1368-1644), Yongle period (1403 - 24)<br>China<br>Gilt brass, lost-wax cast <br>In this sculpture, Manjushri holds a sword in his primary right hand, and a volume of the Perfection of Wisdom Sutra, which rests on a small lotus, in his left. Remnants of a bow and arrow can be seen in his secondary hands, and the combination of the four implements identify the sculpture as a Tikshna-Manjushri, a manifestation that refers to the bodhisattva's quick wits and further elucidates his position as an embodiment of spiritual wisdom. The inscription at the front of the lotus pedestal indicates that it was cast during the reign of the Yongle emperor, who is known to have followed later Esoteric or Tibetan Buddhist practices and to have sponsored the production of numerous sculptures in a style derived from India and the Himalayas. The soft folds of the clothing are typical of works produced in imperial workshops, as are the delicacy of the details and the rich pink tones of the gilding."><img class="referencepicture" id="ming1" src="http://www.dynastyantique.com/ebay/reference/ming/1.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/2.jpg" title="<br>Dish with scalloped rim, Ming dynasty, early 15th century<br>China<br>Cloisonne<br>Cloisonne is the technique of creating designs on metal vessels with colored-glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired pattern. Known as cloisons (French for 'partitions'), the enclosures are generally either pasted or soldered onto the metal body. The glass paste, or enamel, is colored with metallic oxide and painted into the contained areas of the design. The vessel is usually fired at relatively low temperature, about 800 degrees centigrade. Enamels commonly shrink during firing, and the process is repeated several times to fill in the designs. Once this process is completed, the surface of the vessel is rubbed until the edges of the cloisons are visible. They are then gilded, as on this dish, which also has gilding on its scalloped edges, in the interior, and on the base. Lively scrolling lotuses and acanthus leaves are set against a turquoise blue background on the interior (and parts of the exterior) of the dish. In Chinese examples dating to the fifteenth century, this background color is often combined with shades of red, yellow, cobalt blue, white, and dark green, which were not mixed but placed individually within each cloison. Although cloisonne was known in China in the fourteenth century, fifteenth-century pieces such as this are the earliest preserved."><img class="referencepicture" id="ming2"  src="http://www.dynastyantique.com/ebay/reference/ming/2.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/3.jpg" title="<br>Traveling box, Ming dynasty, early 15th century<br>China<br>Leather, wood, iron, gold, and pigments<br>This traveling box for a packsaddle belongs to a class of objects that originated in the fourteenth century when China was under Mongol rule and Tibetan monks enjoyed great privileges at the imperial court. Luxury gifts for Tibetan monks and monasteries made in imperial workshops combined fine craftsmanship with forms and/or patterns that show distinct Tibetan influence. Imperial patronage of Tibetan temples and lamas persisted after the expulsion of the Mongol rulers from China, especially during the Yongle reign (1403-24), to which this traveling box can be dated on stylistic and technical grounds. Constructed of wood with a leather covering, it is decorated in oil-based paints with lotus scrolls issuing from a ribboned vase - a common motif in Sino-Tibetan art. The same lotus scroll appears in the gold damascened design on the iron fittings. The colors of the pigments approximate those commonly seen on lacquer painting. The use of oil instead of lacquer was probably determined by the box's function as luggage - using lacquer would have required priming the surface with gesso, which would crack with handling. The technique of gold or silver damascene on iron objects was introduced into China sometime in the thirteenth century during the period of Mongol rule, but its popularity did not last beyond the fifteenth century."><img class="referencepicture" id="ming3"  src="http://www.dynastyantique.com/ebay/reference/ming/3.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/4.jpg" title="<br>Jar, Ming dynasty, Xuande mark and period (1426-1435)<br>China<br>Porcelain painted in underglaze blue<br>The porcelains of the Ming dynasty have attained such recognition in the West that 'Ming' has become almost generic for anything ceramic fabricated in China before the twentieth century. While, unhappily, many of the pieces called Ming have no possible claim to that attribution, the porcelains that were produced during the period are among the most beautiful and exciting to emerge from China's kilns. Because the kilns at Jingdezhen and the surrounding area of Jiangxi Province became paramount during the Ming era, overshadowing all other manufacturing centers, our attention focuses primarily on wares from these kilns from this time onward. In many respects, the blue and white porcelains of the early fifteenth century exemplify these wares at their apogee. They combine the freedom and energy of a newly ripened art form with the sophistication of concept and mastery of execution that come with maturity. The highest traditions of early Ming-dynasty brushwork are represented in the bristling dragon on this marvelous jar. His dorsal fins are like the teeth of a buzz saw, his claws have a strong bone structure, and he moves around the jar with total power yet consummate grace. Flanked by the heads of fearsome monsters is an inscription with the reign title of the incumbent emperor, Xuande. Reign marks became popular during the Xuande era (1426-35) and were used continuously after that time."><img class="referencepicture" id="ming4"  src="http://www.dynastyantique.com/ebay/reference/ming/4.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/5.jpg" title="<br>Dish, Ming dynasty, Hongzhi mark and period (1488-1505)<br>China<br>Porcelain painted in underglaze blue with yellow, overglaze enamels<br>The technique of adding yellow enamel to previously glazed and fired porcelains and then firing the enamel at a low temperature was probably developed in China during the Xuande period (1426 - 35). On this dish, which dates to the end of the fifteenth century, the yellow enamel has been used to silhouette the underlying blue-painted motif, creating the effect of blue decoration on a yellow ground. The dish belongs to a series of rather heavily potted dishes with this five-petalled flower as the principal design that originated in the Xuande period and continued to be produced until at least the Jiajing reign (1522 - 66). It is generally assumed that the Xuande pieces formed part of an original service, and the dishes from subsequent reigns were manufactured as replacements for those that had been broken in daily use."><img class="referencepicture" id="ming5"  src="http://www.dynastyantique.com/ebay/reference/ming/5.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/6.jpg" title="<br>Jar, Ming dynasty, Jiajing mark and period (1522 - 1566)<br>China<br>Porcelain painted in underglaze blue and overglaze polychrome enamels<br>The ascendancy of polychrome enamel decoration over other ornamental techniques seen in porcelains of the Jiajing period could represent an attempt to compensate for the low quality of potting by making an ambitious display of color. Ceramic painters were adept and imaginative with their palette of enamels and sought to achieve a maximum number of effects.An important innovation of the Jiajing period, the so-called wucai ('five-color') decoration, was one of the last major additions to the lexicon of ornamental techniques developed during the Ming dynasty, Despite its name, the number of colors in wucai decoration is not strictly limited to five. Wucai, like doucai, is a combination of underglaze blue and overglaze polychrome enamels. However, where the soft underglaze blue of doucai was primarily used for dainty outline that laid the groundwork for elegant little washes of pale enamel colors, the dark blue of wucai was applied in bold washes to complement vigorous splashes of strong overglaze colors, and outlining was mostly done in overglaze red, brown, or black.Fish in water weeds are a popular Jiajing wucai motif. The fish form a rebus: the Chinese word yu ('fish') is pronounced much like yu ('abundant'), and the pun symbolizes the wish for wealth."><img class="referencepicture" id="ming6"  src="http://www.dynastyantique.com/ebay/reference/ming/6.jpg" height="80" alt=""></a></div><div class="picturelist"><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/7.jpg" title="<br>Figure of Bodhidharma, Ming dynasty (1368 - 1644), 17th century<br>China<br>Porcelain (Dehua ware)<br>Kiln complexes in the vicinity of the town of Dehua in Fujian Province, are the source of a special type of porcelain known in the West as blanc de chine. These wares have an extremely fine-grained vitreous white body, embraced by a thick satiny glaze ranging in tone from milky white to warm elephant-tooth to a faint rosy hue. There is a wide variety of blanc de chine vessels, including numerous objects for the writing table, but perhaps the most glamorous of these wares are the figures frequently representing Buddhist or Daoist deities. These ceramic sculptures vary considerably in quality, but at their best they exhibit a brilliance of modeling that raises them to the rank of true masterpieces. There is perhaps no better example than this superb figure of Bodhidharma, the Indian patriarch said to be the founder of Chan (Zen) Buddhism in China. His serene expression and the fluid draping of his robes celebrates the skill of the master craftsmen."><img class="referencepicture" id="ming7"  src="http://www.dynastyantique.com/ebay/reference/ming/7.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/9.jpg" title="<br>Cup, Ming dynasty, Chenghua mark and period (1465-1487)<br>China<br>Porcelain painted in underglaze blue and overglaze enamels<br>It is possible that the patronage of the emperor's favorite, Wan Gufei, was responsible for the promotion of several decorative techniques at the Jingdezhen kilns. Premier among these is the fabled Chenghua doucai ('contrasting colors' or 'contending colors'), which is a combination of two ornamental processes. In doucai decoration, designs were completely outlined in cobalt blue on the unfired vessel, and a few areas of blue wash were painted in as well. After glazing and the usual high-temperature firing, the outlines were filled in with overglaze red, green, yellow, and aubergine enamels that were then fired at low temperatures. Doucai-style enameling was usually reserved for intimate objects of exquisite refinement, and the rare examples of Chenghua date are some of the most highly treasured of all Ming-dynasty porcelains."><img class="referencepicture" id="ming9"  src="http://www.dynastyantique.com/ebay/reference/ming/9.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/10.jpg" title="<br>Monk's Cap Ewer with Ruby Red Glaze <br>xuan-de Reign (1426-1435), Ming Dynasty (1368-1644)<br>Height: 19.2 cm, diameter lengthwise: 16.1 cm, diameter at width: 11.2 cm, diameter of base: 7.6 cm, depth: 16.6 cm, weight: 880 g  <br>The top of this ewer, with its stepped rim in three levels, resembles the cap worn by Tang dynasty monks, from which this type of ewer derives its name. It has a pointed spout and a flat handle decorated with a 'ju-i' motif at both ends, and is attached to the curvature of the belly at one end, and the rim at the other. The upper part of the handle has an extension that goes vertically up, ending at the same height as the rim. The vase has a straight neck, a rounded belly, and a ring foot. The lid, which is staggered in three levels, has a round knob. At one end of the lid is a small hole, and at the other it extends out to ensure a close fit with the spout. The vase is completely covered in a vibrant red glaze, the surface of which is pitted due to minute bubbles in the glaze in an effect known as 'orange peel.' The glaze is thinner at the rim, foot, base of the rim, and along the edges of the handle, revealing a white border at these places. The inside and bottom of the base are white with a hint of green. The body itself is very thin throughout, and the original color is visible at the ring foot, showing it to be a delicate, pure white slightly speckled with iron spots. There is no reign mark, although the base is inscribed with a poem written by the Qian-long Emperor (r. 1736-1795) of the following Qing dynasty, dating it to the reign of the xuan-de emperor of the Ming dynasty, and saying that it was kept in the Ta-ho (Great Harmony) Study. The poem, which is followed by two imperial colophon seals, goes on to extol the virtues of the vase. The stand is also inscribed with a seal to the effect that it was admired by the YOng-Zheng Emperor (r. 1723-35): it is thus clear that this piece was a favorite of both the Yong-zheng and Qian-long emperors. The ruby red glaze of the Xuan-de reign enjoyed wide renown, and the white border at the rim, foot and other edges was a very popular feature accompanying this glaze. This particular vase was also much admired by the Qian-Long emperors’concubines, and one of a series of four famous paintings depicting the concubines of the Yung-cheng Emperor by an anonymous Qing artist, shows the red vase on a concubine's dressing table alongside other bronzes and Ju official wares."><img class="referencepicture" id="ming10"  src="http://www.dynastyantique.com/ebay/reference/ming/10.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/11.jpg" title="<br>Blue-and-white Flat Vase with Figures <br>Yong-le Reign (1403-1424), Ming Dynasty (1368-1644)<br>Height: 29.7 cm, rim diameter: 3.6 cm, base diameter: 12.0 cm, base width: 8.0 cm <br>With a small round rim, a fine straight neck, sloping shoulders, a round flat body, an oval base, and a flat base that is slightly concave, this vessel appears with two handles in the shape of ju-i. The neck is painted with a circling design of plantain leaves, above and below which are linear patterns in blue. The shoulder and base are also decorated with inverted lotus petal designs, and the main decoration of the body is a landscape garden scene. On one side are three figures, and on the other two. They hold musical instruments and appear to be dancing. The musicians and their clothes also indicate that they are non-Chinese. The heavy blue-and-white decoration includes many spots of brownish-green and dark brown, which appear as depressions in the surface. Blue is also found throughout the white glaze, and the places on the handles where the glaze collected is lake-green in color. The light biscuit of the body is quite delicate, and biscuit glaze has a glimmer of light orange color. The flat hu is known as an 'embracing moon' vase, its shape being an imitation deriving from the Middle East. The decoration here, however, is very much Chinese in style, the painting method of the landscape scenery being in the traditional monochrome manner, with only the figures being foreign. Starting from the Yong-le reign of the Ming dynasty, the decoration of blue-and-white wares departed from the complex and dense decoration found in the Yuan dynasty (1279-1368), focusing more on the visual effect of leaving white blank spaces. Such underglaze blue against more white of the body allows the pure and beautiful qualities to stand out even further, which is why Ming dynasty official wares were known as 'Figure-few Yong-le'. This work is a marvelous example of official Yong-le ware in terms of the glaze color and the landscape decoration with figures."><img class="referencepicture" id="ming11"  src="http://www.dynastyantique.com/ebay/reference/ming/11.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/12.jpg" title="<br>Bright Yellow Ding with Animal-mask Patterns in Relief <br>Late Ming Dynasty (1522-1644)<br>Height: 16.8 cm, rim diameter: 13.3 cm <br>This incense burner in the shape of a round Ding (cauldron) features two standing handles along the rim. Three tubular legs are joined to the body, and the legs have raised patterns. The entire vessel is covered with bright yellow glaze, which is very translucent and, when seen from the side, has a slight rainbow luster to it. On either side of the body is an engraved animal mask, between which one finds cash-design decoration and flowers. The bottom is engraved with an inscription of four characters in regular script that reads, 'Made by Chou Tan-ch'uan', making this the only work in the Museum collection that is engraved with Chou's inscription.. Chou Tan-ch'uan flourished from the late 16th century to the early 17th century, excelling in the imitation of ancient ceramics. He created unusual vessel shapes in wood and also displayed originality in creating garden scenery with piled rocks. It is said that in the late Chia-ching era (1522-1566), Chou Tan-ch'uan made such a faithful imitation of a Ding ware Ding incense burner that it created a commotion in the collecting world at the time. According to a record in 'Brush Jottings at the Yun-shih Studio', before creating an imitation, Chou Tan-ch'uan would first 'measure by hand' and then make 'section pieces' to imitate the decoration, resulting in his finished pieces being almost indistinguishable from the originals. The collector T'ang Ho-cheng admired his work so much that he spent 'forty pieces of gold' to purchase an imitation, which he used as a 'copy' in his collection. This indeed testifies to the great craftsmanship and influence of Chou Tan-ch'uan. "><img class="referencepicture" id="ming12"  src="http://www.dynastyantique.com/ebay/reference/ming/12.jpg" height="80" alt=""></a></div><div class="picturelist"><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/13.jpg" title="<br>Porcelain Vase with underglaze blue and red decoration,<br> Ming Dynasty HongWu Reign (1368-1398 A.D.),<br> China"><img class="referencepicture" id="ming13" src="http://www.dynastyantique.com/ebay/reference/ming/13.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/14.jpg" title="<br>Porcelain Yuhuchun Vase with underglaze blue decoration,<br> Ming Dynasty HongWu Reign (1368-1398 A.D.),<br> China"><img class="referencepicture" id="ming14"  src="http://www.dynastyantique.com/ebay/reference/ming/14.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/15.jpg" title="<br>Porcelain Yuhuchun Vase with underglaze red decoration,<br> Ming Dynasty HongWu Reign (1368-1398 A.D.),<br> China"><img class="referencepicture" id="ming15"  src="http://www.dynastyantique.com/ebay/reference/ming/15.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/16.jpg" title="<br>Porcelain Bowl with underglaze blue decoration,<br> Ming Dynasty HongWu Reign (1368-1398 A.D.),<br> China"><img class="referencepicture" id="ming16"  src="http://www.dynastyantique.com/ebay/reference/ming/16.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/17.jpg" title="<br>Porcelain Vine Pot with underglaze red decoration,<br> Ming Dynasty HongWu Reign (1368-1398 A.D.),<br> China"><img class="referencepicture" id="ming17"  src="http://www.dynastyantique.com/ebay/reference/ming/17.jpg" height="80" alt=""></a><a rel="example_group2" target="_blank" href="http://www.dynastyantique.com/ebay/reference/ming/18.jpg" title="<br>Porcelain Plate with underglaze dark reddish brown decoration,<br> Ming Dynasty HongWu Reign (1368-1398 A.D.),<br> China"><img class="referencepicture" id="ming18"  src="http://www.dynastyantique.com/ebay/reference/ming/18.jpg" height="80" alt=""></a></div><p><a target="_blank" href="http://www.dynastyantique.com/ebay/html/minglists.html" title=""><font style="font-size:16px; font-weight:bold">Find more reference of the Ming Dynasty Porcelain for your collection here!</font></a></p><p>Ming Dynasty (1368 - 1644): Throughout the Yuan Dynasty, which lasted less than a century, there was relatively strong sentiment among the populace against the Mongol rule. The frequent natural disasters since the 1340s finally led to peasant revolts. The Yuan Dynasty was eventually overthrown by the Ming Dynasty in 1368.Urbanization increased as the population grew and as the division of labor grew more complex. Large urban centers, such as Nanjing and Beijing, also contributed to the growth of private industry. In particular, small-scale industries grew up, often specializing in paper, silk, cotton, and porcelain goods. For the most part, however, relatively small urban centers with markets proliferated around the country. Town markets mainly traded food, with some necessary manufactures such as pins or oil.Despite the xenophobia and intellectual introspection characteristic of the increasingly popular new school of neo-Confucianism, China under the early Ming Dynasty was not isolated. Foreign trade and other contacts with the outside world, particularly Japan, increased considerably. Chinese merchants explored all of the Indian Ocean, reaching East Africa with the voyages of Zheng He.</p><p>Early Ming decorative arts inherited the richly eclectic legacy of the Mongol Yuan dynasty, which included both regional Chinese traditions and foreign influences. For example, the fourteenth-century development of blue-and-white ware and cloisonne; enamelware arose, at least in part, in response to lively trade with the Islamic world, and many Ming examples continued to reflect strong West Asian influences. A special court-based Bureau of Design ensured that a uniform standard of decoration was established for imperial production in ceramics, textiles, metalwork, and lacquer.</p><p>Zhu Yuanzhang or (Hong-wu, the founder of the dynasty, laid the foundations for a state interested less in commerce and more in extracting revenues from the agricultural sector. Perhaps because of the Emperor's background as a peasant, the Ming economic system emphasized agriculture, unlike that of the Song and the Mongolian Dynasties, which relied on traders and merchants for revenue. Neo-feudal landholdings of the Song and Mongol periods were expropriated by the Ming rulers. Land estates were confiscated by the government, fragmented, and rented out. Private slavery was forbidden. Consequently, after the death of Emperor Yong-le, independent peasant landholders predominated in Chinese agriculture. These laws might have paved the way to removing the worst of the poverty during the previous regimes.</p><p>The dynasty had a strong and complex central government that unified and controlled the empire. The emperor's role became more autocratic, although Zhu Yuanzhang necessarily continued to use what he called the "Grand Secretaries" to assist with the immense paperwork of the bureaucracy, including memorials (petitions and recommendations to the throne), imperial edicts in reply, reports of various kinds, and tax records. It was this same bureaucracy that later prevented the Ming government from being able to adapt to changes in society, and eventually led to its decline.</p><p>Emperor Yong-le strenuously tried to extend China's influence beyond its borders by demanding other rulers send ambassadors to China to present tribute. A large navy was built, including four-masted ships displacing 1,500 tons. A standing army of 1 million troops (some estimate as many as 1.9 million) was created. The Chinese armies conquered Vietnam for around 20 years, while the Chinese fleet sailed the China seas and the Indian Ocean, cruising as far as the east coast of Africa. The Chinese gained influence in East Turkestan. Several maritime Asian nations sent envoys with tribute for the Chinese emperor. Domestically, the Grand Canal was expanded and proved to be a stimulus to domestic trade. Over 100,000 tons of iron per year were produced. Many books were printed using movable type. The imperial palace in Beijing's Forbidden City reached its current splendor. It was also during these centuries that the potential of south China came to be fully exploited. New crops were widely cultivated and industries such as those producing porcelain and textiles flourished.</p><p>In 1449 Esen Tayisi led an Oirat Mongol invasion of northern China which culminated in the capture of the Zhengtong Emperor at Tumu. In 1542 the Mongol leader Altan Khan began to harass China along the northern border. In 1550 he even reached the suburbs of Beijing. The empire also had to deal with Japanese pirates attacking the southeastern coastline; General Qi Jiguang was instrumental in defeating these pirates. The deadliest earthquake of all times, the Shaanxi earthquake of 1556 that killed approximately 830,000 people, occurred during the reign of Jiajing Emperor.</p><p>During the Ming dynasty the last construction on the Great Wall was undertaken to protect China from foreign invasions. While the Great Wall had been built in earlier times, most of what is seen today was either built or repaired by the Ming. The brick and granite work was enlarged, the watch towers were redesigned, and cannons were placed along its length.</p>  </div></div></font></div><div id="descriptionbase"></div></div><div id="customhtml"><div style="font-family: Arial,Helvetica,sans-serif; font-size: 12px;"><h4 class="dynastyh4">Free shipping to below location (<span class="attention"> please read carefully before you buy it now </span>):</h4><ul><li>within USA: free shipping to fifty states, we don't free ship items to Guam ,Puerto Rico and other overseas territories of USA</li> <li>free shipping to Canada,</li> <li>free shipping to Japan, Korea, Vietnam, Thailand, TaiWan,Singapore, Philippines,Malaysia,Indonesia,</li><li>free shipping to UK, Germany, France,Italy,Spain,Netherland,Belgium,Denmark,Norway,Finland,</li><li>free shipping to Australia, New Zealand</li><li>We <span class="attention">don't </span>free ship items to <span class="attention">overseas territories</span> of above any country (such as French Guiana, Guadeloupe, British Virgin Islands, Anguilla and so on), you can contact with me regarding shipping cost.</li><li>other country and region please advise with me directly</li><li>the handling and packing time need 1--2 days, we use USPS (united states postal service) -> EMS in China, US customer can tract it at <a style="text-decoration:none" href="http://www.usps.com"target="_blank">www.usps.com</a> after the package be sent to postal office, you should receive package within 10 days. other international customer can track it at <a style="text-decoration:none" href="http://www.ems.com.cn/english-main.jsp"target="_blank">http://www.ems.com.cn/</a>, you should receive package within 10 - 15 days.</li></ul></div></div><div id="specialpromo"></div><div id="tabcontainer">  </div><div id="aboutus"></div><div id="payment"><h4 class="dynastyh4">Payment</h4><p>we accept PayPal, Money order, Western Union Wire Transfer, and Bank Transfer payment, if you'd like to use other payment way please contact with us. we will send out your purcahses only after your personal check be cleared if you use personal check.</p></div><div id="storeterms"><h4 class="dynastyh4">Store Terms and Return Policy</h4><p>1. item be damaged during transportation, we strongly encourage you to inspect freight at the time of delivery or pickup for any damage. 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In that way you get full refund smoothly!<br> 2. item be found damaged when you open the package after you take package home or the postman has left your home with your signature on receipt, please contact with us ASAP, you have three days to take photograph of the damaged item and inform me about this by email, over this time limit we won't give any refund.<br> 3. package be verified to be lost during transportation by USPS, you will get full refund.<br>4. package be returned to us because of any our error or any error from Postal Office, the pacakge will be free resent to you.<br>5. package be returned to me because of any your error such as wrong shipping address or no people at home over two weeks or you don't pick up the package in time after the postman leave one note at your mail box. you will have to pay the resending shipping cost.<br>6. 30 day money back:we will gladly exchange, credit or refund your purchase from us if returned within 30 days of the end of sale. 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